[1] Ahmad, A. (2025, April 29). “The heart’s sharp nib”: The inner worlds of women in Banu Mushtaq’s Heart Lamp. Words Without Borders. https://wordswithoutborders.org/book-reviews/the-hearts-sharp-nib-the-inner-worlds-of-women-in-banu-mushtaqs-heart-lamp-bhasthi-ahmad/
[2] Ahmed, S. (2010). Feminist killjoys (and other willful subjects). The Scholar & Feminist Online, 8(3). https://sfonline.barnard.edu/polyphonic/print_ahmed.htm
[3] Butler, J. (1988). Performative acts and gender constitution: An essay in phenomenology and feminist theory. Theatre Journal, 40(4), 519–531. https://doi.org/10.2307/3207893
[4] Chughtai, I. (2001). The quilt and other stories (M. Asaduddin, Trans.). Women Unlimited.
[5] Dey, A. (2016). The domestic sphere in Attia Hosain’s Sunlight on a broken column: The home mirrors the world. The Grove: Working Papers on English Studies, 23, 47–59. University of Jaén. https://revistaselectronicas.ujaen.es/index.php/grove/article/view/2921
[6] Dutta, A. (2025). The feminine in Banu Mushtaq’s short story collection: Silence as a form of resistance. International Journal of Linguistics, Literature and Culture (IJLLC), 11(7), 37–44. https://media.neliti.com/media/publications/621293-silence-as-a-form-of-resistance-the-femi-4194a3b1.pdf
[7] Farrell, J. (2025, July 6). Illuminating the shadows: Banu Mushtaq’s Heart Lamp and the rebellion of the unseen. People’s World. https://www.peoplesworld.org/article/illuminating-the-shadows-banu-mushtaqs-heart-lamp-and-the-rebellion-of-the-unseen/
[8] Fatima, S. (2021). Resurrecting the victimized voices: A study of Ismat Chughtai’s “The quilt.” The SPL Journal of Literary Hermeneutics, 1(1), 76–85. https://literaryherm.org/index.php/ojs/issue/view/1
[9] Grant, D. (1997). Salman Rushdie. Northcote. (Writers and Their Work Series)
[10] Hosain, A. (2009). Sunlight on a broken column. Penguin Books.
[11] Mohanty, C. T. (1988). Under Western eyes: Feminist scholarship and colonial discourses. Feminist Review, 30(1), 61–88. https://www2.kobe-u.ac.jp/~alexroni/IPD%202015%20readings/IPD%202015_5/under-western-eyes.pdf
[12] Mushtaq, B. (2025a). The heart lamp (D. Bhasthi, Trans.). Penguin.
[13] Mushtaq, B. (2025b, July 31). I will now put on record the silences. (P. Ghosh & A. R. Ajith, Interviewers). The New Indian Express. https://www.newindianexpress.com/lifestyle/books/2025/Jul/31/i-will-now-put-on-record-the-silences-says-international-booker-prize-winner-banu-mushtaq
[14] Rajan, R. S. (1993). Real and imagined women: Gender, culture, and postcolonialism. Routledge.
[15] Rao, M. (2025, May 21). The roots of Banu Mushtaq’s literary rebellion. Himal Southasian. https://www.himalmag.com/culture/banu-mushtaq-booker-heart-lamp-deepa-bhasthi
[16] Rathore, A. S., & Jayalakshmi, K. (2025). Portrayal of sexuality and women’s agency in Ismat Chughtai’s “The quilt.” World Journal of English Language, 15(7), 245–252. https://www.sciedu.ca/journal/index.php/wjel/article/viewFile/26827/17089
[17] Rushdie, S. (1995). Midnight’s children. Vintage. (Original work published 1981)
[18] Rushdie, S. (1995). Shame. Vintage. (Original work published 1983)
[19] Spivak, G. C. (1988). Can the subaltern speak? In C. Nelson & L. Grossberg (Eds.), Marxism and the interpretation of culture (pp. 271–313). University of Illinois Press. https://jan.ucc.nau.edu/~sj6/Spivak%20CanTheSubalternSpeak.pdf
[20] Thiara, N. W. (2009). Salman Rushdie and Indian historiography: Writing the nation into being. Palgrave Macmillan.
