Rashmi Verma
International Journal of Language, Literature and Culture (IJLLC), Vol-2,Issue-1, January - February 2022, Pages 20-25, 10.22161/ijllc.2.1.6
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Article Info: Received: 09 Jan 2022, Received in revised form: 08 Feb 2022, Accepted: 13 Feb 2022, Available online: 19 Feb 2022
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Toni Morrison employs polyphony as a powerful narrative tool to explore collective memory and the enduring impact of history, particularly in the context of slavery, discrimination, and resilience. Through novels like Beloved, Jazz, Song of Solomon, and The Bluest Eye, Morrison constructs a multi-voiced tapestry that interweaves diverse perspectives, capturing the complexities of shared histories and social injustices. By elevating marginalized voices often silenced in mainstream narratives, she compels readers to confront uncomfortable realities about the intersections of personal and collective experiences. This paper examines use of polyphony by Morrison’s in The Bluest Eye for giving space to marginalized voices. The depth of Morrison’s intertextual and polyphonic craftsmanship, recognizing the novel’s the profound and lasting impact on African American literature, will also be the focus of this paper.
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