Randeep Kaur , Prof. Mahesh Arora
International Journal of Language, Literature and Culture (IJLLC), Vol-6,Issue-1, January - February 2026, Pages 13-17, 10.22161/ijllc.6.1.3
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Article Info: Received: 23 Dec 2025, Received in revised form: 22 Jan 2026, Accepted: 28 Jan 2026, Available online: 03 Feb 2026
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Marginalization refers to the process through which a particular stratum of society is deprived of its rights and pushed to the edge of society by those in power. The act of ostracization is not an isolated one; rather, it is the amalgamation of various factors like race, gender, ability, socioeconomic status, sexual orientation, age, religion and so on. Women are often treated miserably in a patriarchal society. Their woeful condition has a significant stamp on their psyche that has hindered their growth as independent individuals in society. They are often placed in subordinate positions and deemed inferior to their male counterparts. This article will evaluate the situation of Shashi Deshpande’s women characters in The Dark Holds No Terrors (1980), That Long Silence (1988), and The Binding Vine (1992) by focusing on their hardships in contemporary Indian society. Though her protagonists are educated and come from the middle class, they are struggling to strike a balance between individual inclinations and the social constraints of a patriarchal society.