Cinema and Hyperreality: A Philosophical Perspective

Jagveer Kaur

doi:10.22161/ijllc.5.2.10

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Cinema and Hyperreality: A Philosophical Perspective

Jagveer Kaur

International Journal of Language, Literature and Culture (IJLLC), Vol-5,Issue-2, March - April 2025, Pages 69-72, 10.22161/ijllc.5.2.10

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Article Info: Received: 20 Mar 2025, Received in revised form: 21 Apr 2025, Accepted: 27 Apr 2025, Available online: 30 Apr 2025

Abstract:

The paper explores the Transformations in the realm of performing narratives resulting from the advancements like sound effects and VFX. The use of special effects -especially in science fiction movies- is erasing the line between real and hyperreal. It also contends that the movement of cinema towards hyperrealism diminished the importance of narrative, which is being overshadowed by the simulated world as a result of usage of special effects.

Keywords:

Cinema, Hyperreality, Technology, Interaction, VFX, CGI, Narratives.

References:

Caroll, N. (1996). “Theorizing the Moving Image”. Cambridge University Press: Cambridge, pp 46
Bukatman, S. (2014). “The Artificial Infinite: On Special Effects and the Sublime”. Cambridge University Press: Cambridge, pp 252
Brooks, L. (1992). “The Aesthetics of Ambivalence: Rethinking Science-fiction Film in the age of Electronic re(production)”. Greenwood Press: Westport, Connecticut, pp63
Ibid, pp 90
Op. cit., pp 271

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Cinema and Hyperreality: A Philosophical Perspective

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