[1] A.V. Krishna Rao, and K. Madhavi Menon. Kamala Markandaya: A Critical Study of Her Novels, 1954-1982. B.R Publishing Corporation, 2017.
[2] Abidi, S.Z.H. “Kamala Markandaya: Narrative Techniques”. Perspective on Kamala Markandaya. Ed. Madhusudan Prasad, Vimal Prakashan, 1984.
[3] Bal, Mieke. Narratology: Introduction to the theory of Narrative. University of Toronto Press, 2009.
[4] Barry, Peter. Beginning Theory: An Introduction to Literary and Cultural Theory. Manchester university press, 2020.
[5] Dawson, Paul. “Delving into the narratological “toolbox”: Concepts and categories in narrative theory”. Style, vol. 51, no. 2, 2017. pp. 228-246.
[6] Fusillo, Massimo. “Focalization as Transmedial Category”. Between, vol. 10, no, 20, 2020, pp. 46-57.
[7] Garman, Emma. “Feminize Your Canon: Kamala Markandaya”. The Paris Review, 2018, https://www.theparisreview.org/blog/2018/11/06/feminize-your-canon-kamala-markandaya/
[8] Geetha P. “Feminism in the Novels of Kamala Markandaya’: Indian Women Novelists”, edited by R.K. Dhawan. Mehra Offset Press, 1991.
[9] Genette, Gerard, Ben-Ari, Nitsa., and Brian McHale. “Fictional narrative, Factual Narrative”. Poetics Today, vol. 11, no. 4, 1990, pp. 755-774.
[10] Genette, Gerard. Narrative Discourse: An Essay in Method. Cornell University Press, 1983.
[11] Gerald, Prince. Dictionary of Narratology. The University of Nebraska Press. 2017.
[12] Guanghui, Shang. “An Issue of “Who Sees” the Fictional World: Teaching the Conceptual Evolution of Focalization”. International Journal of Literature and Arts, vol. 9, no. 1, 2021, pp. 34-39.
[13] Harrex, S. C. “A Sense of Identity: The Novels of Kamala Markandaya”. The Journal of Commonwealth Literature, 1971, pp. 65-78
[14] Herman, David, and Researcher David Herman. The Cambridge Companion to Narrative. Cambridge University Press, 2007.
[15] Jahn, Manfred. “Narratology 2.3: A Guide to the Theory of Narrative”. English Department, University of Cologne, 2021. URL www. uni-koeln. de/~ ame02/pppn. pdf.
[16] Lutas, L. “Voice, Focalization, and Disembodiment in PC Jersild and CF Ramuz”. Narrative, vol. 27, no. 3, 2019, pp. 290-312.
[17] Markandaya, Kamala. Two Virgins. Penguin Books India, 2010.
[18] Mishra, Parul, and Sugandha Agarwal. “Interrogating Women’s Identity in the Novels of Kamala Markandaya”. MIT International Journal of English Language & Literature, vol. 1, no. 2, 2014, pp. 51-59.
[19] Preya, M.N.V. “Voice of the Voiceless: Rejuvenating Dispositions in Kamala Markandaya’s Two Virgins”. Language in India, vol. 19, no. 3, 2019, pp.154-160.
[20] Purkayastha, Shibashish. “Reconsidering Autistic Narrative Agency and the Autobiography: The Curious Case of Tito Mukhopadhyay’s Beyond the Silence: My Life, the World and Autism”. Rupkatha Journal on Interdisciplinary Studies in Humanities, vol. 12, no. 6. 2020, pp. 1-13.
[21] Ranput, Indu, and Ahmed Fariduddin. “Virginity! Thy name is Saroja!”. The Criterion, vol. 11, no. 6, 2020, pp. 136-146.
[22] Rimmon-Kenan, Shlomith. Narrative fiction: Contemporary poetics. Routledge, 2003.
[23] Sinha, M.P. Research Methods in English. Atlantic Publishers. 2018.
[24] Tyagi Parul, and Neeraj Kumari. “Portrayal of Rural Society in Kamala Markandaya’s Two Virgins”. RJELAL, vol 9, no. 3, 2021, pp. 95-98.
[25] Williams, H. M. “Some Characters in Markandaya's Novels," in his Galaxy of Indian Writings in English, Akshat, 1987, pp. 111-121.